THE REPRESENTATION OF THE NAZI AND JEWISH CONFLICT BACKGROUND IN THE ANIME SERIES ATTACK ON TITAN

Authors

  • Yohannes Tampubolon Universitas Putera Batam
  • SHOLIHUL ABIDIN PUTERA BATAM UNIVERSITY

DOI:

https://doi.org/10.33884/scientiajournal.v5i4.7769

Keywords:

Representation, Background Conflict, Semiotic Theory

Abstract

The similarities between Attack on Titan and the history of human civilization can be seen during World War
II, when the Nazis rose to power in Germany in 1933, which was the first year the Nazis established
concentration camps (Ghetto) to separate and imprison Jews, political opponents, and people who were
considered inferior such as homosexuals, Roma people (Gypsies), some Slavic peoples (Russians, Poles
and others) and people with disabilities. The purpose of this study is to determine the results of the
representation of the background of the Nazi and Jewish conflict in the attack on titan anime series. The
research method used is descriptive research conducted using a qualitative approach and using the semiotic
analysis method. The researcher will observe in depth the Scene pieces from the anime series entitled
attack of titan with a total of 10 scenes, the data collection used is documentation and literature study, the
analysis flow follows the interactive analysis model as expressed by Miles and Huberman, namely data
collection, data reduction, data presentation and conclusion drawing. The results show the anime "Attack on
Titan" and historical events involving Nazis and Jews. Understanding how dialog and scenes in the anime
"Attack on Titan" can be linked to actual historical events involving Nazis and Jews requires analysis of
Roland Barthes' semiotic approach.

References

Adinata, I., & Islam, M. A. (2022). Interpretasi Semiotika Dalam Title Sequence Pertama Anime Attack on Titan : the Final Season. Jurnal Barik, 3(3), 1–15.

Afidah, A. N. (2018). Representasi konflik ideologi antar kelas dalam film THE HELP. Jurnal Ilmu Komunikasi, 1(1), 100.

Akbar, M. F. (2018). Amuk Massa: Konflik dan Resolusi di Desa Suradadi, Kota Tegal. Conflict Management Unnes Student Working Paper Series 2017.

Amri, M. (2018). Sejarah, Teologi, dan Kebudayaan Yahudi (p. 241). http://repositori.uin-alauddin.ac.id/id/eprint/15272

Arends, R. (2020). Representasi idola pada film Shingeki no Kyojin. Nucl. Phys., 13(1), 104–116.

Endarini, E. R. (2019). Representasi Idola Film Animasi Shingeki No Kyojin Pada Tokoh Levi Dan Mikasa. ARTic, 4(10), 177–192. https://doi.org/10.34010/artic.2019.4.2448.177-192

Fiske. (2018). Penyelesaian konflik yang direpresentasikan dalam film Tarung Sarung. Jurnal Komunikasi, 1(1), 1–10.

Hall, S. (2020). Teori representasi (theory of representation ).

Ivada, S. M. (2022). Representasi penyelesaian konflik keluarga dalam film gara gara warisan. Jurnal, 1(1), 1–10.

Muhammad. (2018). Analisis Semiotik Representasi Kegigihan Dalam Serial Animasi Hunter X Hunter.

https://repository.uinjkt.ac.id/dspace/handle/123456789/40246

Muhammad Khairul Nizam, & Susanti, A. (2020). ANALISIS SEMIOTIKA CHARLES SANDERS PIERCE PESAN MORAL DALAM FILM ANIMASI ATTACK ON TITAN THE FINAL SEASON. Angewandte Chemie International Edition, 6(11), 5–24.

Nina, & Prasetyaningsih. (2018). Representasi idola pada film Shingeki no Kyojin. 41807023, 20–50.

Putri, E. M. A. (2021). REPRESENTASI KONFLIK DALAM FILM NANTI KITA CERITA TENTANG HARI INI (pp. 19–61).

Sobur, A. (2004). Analisis Teks Media. PT Remaja Rosdakarya.

Downloads

Published

2023-09-13